Bibliografía feminismo, género y cine

Dorothy Arzner (1897-1979)

La bibliografía feminista y de género en relación al cine es inmensa. Aquí solo reseñaremos los principales textos que sirven de referencia y enmarcan el objeto de nuestro estudio: el film noir. Asimismo, se replican aquellos textos que creemos más pertinentes y específicos a este listado que también están tanto en la página Bibliografía Film Noir como en la de Bibliografía teoría del cine y análisis fílmico.

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Ordenados alfabéticamente por autoría

A

Abbott, Megan E. (2002) The Street Was Mine: White Masculinity and Urban Space in Hardboiled Fiction and Film Noir. First edit. New York: Palgrave Macmillan.

Aziz, J. (2012) Transgressing Women: Space and The Body in Contemporary Noir Thrillers. Newcastle upon Tyne, UK: Cambridge Scholars Publishing.

B

Bade, P. (1979) Femme Fatale Images of Evil and Fascinating Women. New York: Mayflower Books Inc.

Bean, J.M. and Negra, D. (2002) A Feminist Reader in Early Cinema. Durham, NC, London: Duke University Press.

Bernárdez Rodal, A., García Rubio, I. and González Guerrero, S. (2008) VIOLENCIA DE GÉNERO EN EL CINE ESPAÑOL. Análisis de los años 1998 a 2002 y guía didáctica. Madrid: Editorial Complutense, S. A.

C

Callahan, V. (2005) Zones of Anxiety: Movement, Musidora, and the Crime Serials of Louis Feuillade. Detroit: Wayne State University Press.

Callahan, V. (2010) Reclaiming the Archive: Feminism and Film History. Detroit: Wayne State University Press.

Ceuterick, M. (2020) Affirmative Aesthetics and Wilful Women: Gender, Space and Mobility in Contemporary Cinema. Cham, Switzerland: Palgrave Macmillan.

Chaudhuri, S. (2006) Feminist Film Theorists: Laura Mulvey, Kaja Silverman, Teresa de Lauretis, Barbara Creed. Oxford, New York: Routledge.

Chopra-Gant, M. (2006) Hollywood Genres and Postwar America: Masculinity, Family and Nation in Popular Movies and Film Noir. London, New York: I. B. Tauris Publishers (Cinema and Society series).

Creed, B. (1993) The Monstrous-Feminine: Film, Feminism, Psychoanalysis. New York, London: Routledge [formato pdf].

Creed, B. (1993) The Monstrous-Feminine: Film, Feminism, Psychoanalysis. New York, London: Routledge [formato epub].

Cvetkovich, A. (1992) Mixed Feelings : Feminism, Mass Culture, and Victorian Sensationalism. New Brunswick, New Jersey: Rutgers University Press.

D

De Lauretis, T. (1992) Alicia ya no: Feminismo, Semiótica, Cine. Madrid: Ediciones Cátedra, S. A.

Doane, M.A. (1984) Re-Vision Essays in Feminist Film Criticism. Los Angeles: The American Film Institute.

Doane, M.A. (1987) The Desire to Desire: The Woman’s Film of the 1940s. Bloomington, Indianapolis: Indiana University Press.

Doane, M.A. (1991) Femmes Fatales: Feminism, Film Theory, Psychoanalysis. Oxon (UK), New York (USA): Routledge.

Doherty, T. (1999) Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, 1930–1934. New York: Columbia University Press.

Dolan, J. (2017) Contemporary Cinema and ‘Old Age’: Gender and the Silvering of Stardom. London: Palgrave Macmillan.

E

Elliott-Smith, D. (2016) Queer Horror Film and Television: Sexuality and Masculinity at the Margins. London, New York: I. B. Tauris Publishers.

F

Farrimond, K. (2018) The Contemporary Femme Fatale: Gender, Genre and American Cinema. New York, London: Routledge.

Frackman, K. and Stewart, F. (2018) Gender and Sexuality in East German Film: Intimacy and Alienation. Rochester, New York: Camden House.

Freixas, R. and Bassa, J. (2000) El sexo en el cine y el cine de sexo. Barcelona, Buenos Aires: Paidós.

Fullwood, N. (2015) Cinema, Gender, and Everyday Space: Comedy, Italian Style. Basingstoke, Hampshire, UK; New York: Palgrave Macmillan.

G

Gerrard, S., Holland, S. and Shail, R. (2019) Gender and Contemporary Horror in Film. Bingley, UK: Emerald Publishing Limited.

Ghosh, B. and Bose, B. (1997) Interventions : Feminist Dialogues on Third World Women’s Literature and Film. London: Routledge.

Gledhill, C. (1987) Home is Where the Heart Is: Studies in Melodrama and the Woman’s Film. London: British Film Institute.

Gledhill, C. (1991) Stardom: Industry of Desire. London, New York: Routledge.

Gledhill, C. (2012) Gender Meets Genre in Postwar Cinemas. Urbana, Chicago, and Springfield: University of Illinois Press.

Gledhill, C., Bratton, J. and Cook, J. (1994) Melodrama: Stage, Picture, Screen. London: British Film Institute.

Gledhill, C. and Knight, J. (2015) Doing Women’s Film History: Reframing Cinemas, Past and Future. Urbana, Chicago, and Springfield: University of Illinois Press.

Greven, D. (2011) Representations of Femininity in American Genre Cinema. The Woman’s Film, Film Noir, and Modern Horror. New York, London: Palgrave Macmillan.

Grossman, J. (2009) Rethinking the Femme Fatale in Film Noir. Ready for Her Close-Up. New York, London: Palgrave Macmillan.

Gwynne, J. (ed.) (2016) Transgression in Anglo-American Cinema: Gender, Sex, and the Deviant Body. New York – Chichester, West Sussex: Wallflower Press Book – Columbia University Press.

H

Hannsberry, K. B. (2003) Bad Boys: The Actors of Film Noir. Jefferson, North Carolina, and London: McFarland & Company, Inc., Publishers.

Hannsberry, K.B. (1998) Femme Noir: Bad Girls of Film. North Carolina, USA: McFarland & Company, Inc., Publishers.

Hansen-Miller, D. (2011) Civilized violence : subjectivity, gender and popular cinema. Farnham, UK – Burlington, VT, USA: Ashgate Publishing Limited.

Hanson, H. (2007) Hollywood Heroines. Women in Film Noir and the Female Gothic Film. London, New York: I. B. Tauris Publishers.

Hanson, H. et al. (2010) The Femme Fatale: Images, Histories, Contexts. Edited by H. Hanson and C. O’Rawe. Basingstoke, Hampshire, UK; New York: Palgrave Macmillan.

Hill, S. (2021) Young Women, Girls and Postfeminism in Contemporary British Film. London, New York: Bloomsbury.

Hilmes, C. (1990) DIE FEMME FATALE: Exemplarische Untersuchungen zu einem ästhetischen Weiblichkeitstypus im Fin de siede. Stuttgart, Deutschland: Springer-Verlag GmbH

Hole, K.L. et al. (2017) The Routledge Companion to Cinema and Gender. Oxon (UK), New York (USA): Routledge.

Hollinger, K. (2012) Feminist Film Studies. Oxford, New York: Routledge.

Horvat, A. (2021) Screening Queer Memory: LGBTQ Pasts in Contemporary Film and Television. London, New York: Bloomsbury.

Hunter, A. and Shearer, M. (eds) (2023) Women and New Hollywood: Gender, Creative Labor, and 1970s American Cinema. New Brunswick, New Jersey: Rutgers University Press.

J

Juhasz, A. (2001) Women of Vision: Histories in Feminist Film and Video. Minneapolis, London: University of Minnesota Press.

Julibert, E. (2022) Hombres fatales: Metamorfosis del deseo masculino en la literatura y el cine. Barcelona: Acantilado.

K

Kac-Vergne, M. (2018) Masculinity in Contemporary Science Fiction Cinema: Cyborgs, Troopers and Other Men of the Future. London, New York: I.B.Tauris & Co. Ltd.

Kaplan, E. A. et al. (1978) Women in Film Noir. Edited by E. A. Kaplan. London: Palgrave Macmillan – British Film Institute.

Kaplan, E.A. (1983) Women and Film: Both Sides of the Camera. New York, London: Routledge.

Kaplan, E.A. (1992) Motherhood and Representation: The Mother in Popular Culture and Melodrama. Oxon (UK), New York (USA): Routledge.

Kaplan, E.A. (1997) Looking for the Other: Feminism, Film and the Imperial Gaze. New York, London: Routledge.

Krizan, K. (2011) Original Sins: Trade Secrets of the Femme Fatale. Los Angeles: Total Global Domination of the Whole World.

Kroll, J.A. (2022) Body, Gender, and Sexuality in Latin American Cinema: Insurgent Skin. Cham, Switzerland: Palgrave Macmillan.

Krutnik, F. (1991) In a Lonely Street. Film Noir, Genre, Masculinity. London: Routlege.

Kuhn, A. (1985) The Power of the Image: Essays on Representation and Sexuality. New York, London: Routledge.

Kuhn, A. (1991) Cine de mujeres: Feminismo y cine. Madrid: Ediciones Cátedra.

Kupfer, J. (2012) Feminist Ethics in Film: Reconfiguring Care through Cinema. Bristol (UK), Chicago (USA): Intellect.

L

Lang, R. (2002) Masculine Interests : Homoerotics in Hollywood Film. New York: Columbia University Press.

Lara, M.P. (2021) Beyond the Public Sphere: Film and the Feminist Imaginary. Evanston, Illinois: Northwestern University Press.

Lema Trillo, E.V. (2003) Los modelos de género masculino y femenino en el cine de Hollywood 1990-2000. Madrid: Universidad Complutense de Madrid.

Lentz, R. J. (2011) Gloria Grahame, Bad Girl of Film Noir. The Complete Career. Jefferson, North Carolina, and London: McFarland & Company, Inc., Publishers.

Lindner, K. (2018) Film Bodies: Queer Feminist Encounters With Gender and Sexuality in Cinema. London, New York: I. B. Tauris Publishers. [formato pdf]

Lindner, K. (2018) Film Bodies: Queer Feminist Encounters With Gender and Sexuality in Cinema. London, New York: I. B. Tauris Publishers. [formato epub]

Lindop, S. (2015) Postfeminism and the Fatale Figure in Neo- Noir Cinema. Houndmills, Basingstoke, Hampshire (UK), New York: Palgrave Macmillan.

Looser, D. and Kaplan, E.A. (1997) Generations: Academic Feminists in Dialogue. Minneapolis, London: University of Minnesota Press.

M

Mainon, D. and Ursini, J. (2009) Femme Fatale: Cinema’s Most Unforgettable Lethal Ladies. Milwaukee, WI: Limelight Editions.

Makinen, M. (2001) Feminist Popular Fiction. Houndmills, Basingstoke, Hampshire (UK), New York: Palgrave Macmillan.

Makinen, M. (2006) Agatha Christie: Investigating Femininity. Houndmills, Basingstoke, Hampshire (UK), New York: Palgrave Macmillan.

Malone, A. (2018a) Backwards & in Heels: The Past, Present and Future of Women Working in Film. Coral Gables, FL: Mango Publishing Group.

Malone, A. (2018b) The Female Gaze: Essential Movies Made by Women. Coral Gables, FL: Mango Publishing Group. [formato epub]

Marciniak, K., Imre, A. and O’Healy, Á. (2007) Transnational Feminism in Film and Media. Houndmills, Basingstoke, Hampshire (UK), New York: Palgrave Macmillan.

Maule, R. (2016) Digital Platforms and Feminist Film Discourse: Women’s Cinema 2.0. Cham, Switzerland: Palgrave Macmillan.

Maury, C. and Roche, D. (2020) Women Who Kill: Gender and Sexuality in Film and Series of the Post-feminist Era. London, New York: Bloomsbury.

Mayer, S. (2016) Political Animals: The New Feminist Cinema. London, New York: I.B.Tauris & Co. Ltd.

McCabe, J. (2004) Feminist Film Studies: Writing The Woman Into Cinema. London, New York: Wallflower Press. [pdf]

McCabe, J. (2004) Feminist Film Studies: Writing The Woman Into Cinema. London, New York: Wallflower Press. [epub]

McCabe, J. (2004) Feminist Film Studies: Writing The Woman Into Cinema. London, New York: Wallflower Press. [mobi]

McClenaghan, K. (2017) A Genealogy of Feminist Tech-Noir. New York University.

McQueeney, K. and Girgenti-Malone, A. (eds) (2018) Girls, Aggression, and Intersectionality Transforming the Discourse of “Mean Girls” in the United States. London, New York: Routledge.

Muller, E. (2001) Dark City Dames: The Wicked Women of Film Noir. New York: ReganBooks – HarperCollins Publishers Inc.

N

Neroni, H. (2016) Feminist Film Theory and Cléo from 5 to 7. London, New York: Bloomsbury.

P

Petro, P. (2002) Aftershocks of the New Feminism and Film History. New Brunswick, New Jersey, and London: Rutgers University Press.

Piotrowska, A. (2019) The Nasty Woman and The Neo Femme Fatale in Contemporary Cinema. Oxon (UK), New York (USA): Routledge.

Plotz, B. (2020) Fat on Film: Gender, Race and Body Size in Contemporary Hollywood Cinema. London, New York: Bloomsbury Academic.

R

Radner, H. (2011) Neo-Feminist Cinema: Girly Films, Chick Flicks and Consumer Culture. London, New York: Routledge.

Radner, H. (2017) The New Woman’s Film: Femme-Centric Movies for Smart Chicks. London, New York: Routledge.

Radner, H. and Stringer, R. (eds) (2011) Feminist at the Movies: Understanding Gender in Contemporary Popular Cinema. London, New York: Routledge.

Ramey, L.T. and Pugh, T. (eds) (2007) RACE, CLASS, AND GENDER IN “MEDIEVAL” CINEMA. New York: Palgrave Macmillan.

Rizzo, T. (2012) Deleuze and Film: A feminist introduction. London, New York: Continuum International Publishing Group.

Rowland, S. (2001) From Agatha Christie to Ruth Rendell: British Women Writers in Detective and Crime Fiction. Houndmills, Basingstoke, Hampshire (UK), New York: Palgrave Macmillan.

S

Schleier, M. (2009) Skyscraper Cinema : Architecture and Gender in American film. Minneapolis, London: University of Minnesota Press.

Silva, A.M. da (2014) The “Femme” Fatale in Brazilian Cinema: Challenging Hollywood Norms. New York: Palgrave Macmillan.

Simkin, S. (2014) Cultural Constructions of the Femme Fatale: From Pandora’s Box to Amanda Knox. Basingstoke, Hampshire, UK; New York: Palgrave Macmillan.

Smelik, A. (1998) And the Mirror Cracked: Feminist Cinema and Film Theory. Houndmills, Basingstoke, Hampshire, UK; New York: MacMillan Press Ltd.

Stott, R. (1992) The Fabrication of the Late Victorian Femme Fatale: The Kiss of Death. Basingstoke, Hampshire, UK; New York: Palgrave Macmillan.

Studlar, G. (2013) Precocious Charms: Stars Performing Girlhood in Classical Hollywood Cinema. Berkeley, Los Angeles, London: University of California Press.

T

Tasker, Y. (1993) Spectacular Bodies: Gender, Genre and the Action Cinema. London, New York: Routledge.

Tasker, Y. (1998) Working Girls: Gender and Sexuality in Popular Cinema. London, New York: Routledge.

Thornham, S. (1999) Feminist Film Theory: A Reader. Edinburgh: Edinburgh University Press.

Y

Yates, C. (2007) Masculine Jealousy and Contemporary Cinema. Houndmills, Basingstoke, Hampshire (UK), New York: Palgrave Macmillan.

W

Wager, J. B. (2005) Dames in the Driver’s Seat : Rereading Film Noir. Austin, Texas: University of Texas Press.

Walker-Morrison, D. (2019) Classic French Noir: Gender and the Cinema of Fatal Desire. London, New York: I.B.Tauris & Co. Ltd.

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