Bibliografía Film Noir

«Nadie en su sano juicio va a una biblioteca a las 9 de la mañana»

Frankie Christopher (Victor Mature) a Jill Lynn (Betty Grable) antes de que esta última sea atrapada, precisamente, en la biblioteca que vemos en la foto de portada («I Wake Up Screaming», 1941)

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Ordenados alfabéticamente por autoría

A

Abbott, Megan E. (2002) The Street Was Mine: White Masculinity and Urban Space in Hardboiled Fiction and Film Noir. First edit. New York: Palgrave Macmillan.

Alvarez, M. (2014) The crime films of Anthony Mann. Jackson, Miss.: University Press of Mississippi.

Andrea, V. (2008) Crime Genres and the Modern Postmodern Turns: Canon, Gender, Media. Debrecen: University of Debrecen.

Arnett, R. (2020) Neo-Noir as Post-Classical Hollywood Cinema. Cham, Switzerland: Palgrave Macmillan.

Ascari, M. (2007) A Counter-History of Crime Fiction:  Supernatural, Gothic, Sensational. Houndmills, Basingstoke, Hampshire (UK), New York: Palgrave Macmillan.

Auger, E.E. (2011) Tech-Noir Film: A Theory of the Development of Popular Genres. Bristol (UK), Chicago (USA): Intellect – The University of Chicago Press.

Aziz, J. (2012) Transgressing Women: Space and The Body in Contemporary Noir Thrillers. Newcastle upon Tyne, UK: Cambridge Scholars Publishing.

Auerbach, Jonathan (2011) Dark Border: Film Noir and American Citizenship. Durham, NC: Duke University Press.

B

Ballinger, Alexander, and Danny Graydon (2007) The Rough Guide to Film Noir. First edit. London, New York: Rough Guides Ltd.

Bertens, H. and D’haen, T. (2001) Contemporary American Crime Fiction. Houndmills, Basingstoke, Hampshire, UK; New York: Palgrave Macmillan.

Biesen, Sheri Chinen (2005) Blackout : World War II and the Origins of Film Noir. Baltimore: The Johns Hopkins University Press.

Biesen, Sheri Chinen (1998) Film Noir and World War ll: Wartime Production, Censorship, and the ‘Red Meat’ Crime Cycle. Austin: The University of Texas at Austin.

Biressi, A. (2001) Crime, Fear and the Law in True Crime Stories. Houndmills, Basingstoke, Hampshire (UK), New York: Palgrave Macmillan.

Borde, Raymond, y Etienne Chaumeton (1958) Panorama Del Cine Negro. Buenos Aires: Ediciones Losange.

Bould, Mark (2005) Film Noir: From Berlin to Sin City. New York: Columbia University Press. [.epub]

Bould, Mark (2005) Film Noir: From Berlin to Sin City. New York: Columbia University Press. [.mobi]

Bould, Mark, Kathrina Glitre, and Greg Tuck (2009) Neo-Noir. London, New York: Wallflower Press.

Broe, Dennis (2009) Film Noir, American Workers and Postwar Hollywood. Gainesville, FL: University Press of Florida.

Broe, Dennis (2014) Class, Crime and International Film Noir. Globalizing Americas Dark Art. New York, London: Palgrave Macmillan.

Brook, Vincent (2009) Driven to Darkness: Jewish Émigré Directors and the Rise of Film Noir. New Brunswick, New Jersey, and London: Rutgers University Press.

Brookes, I. (2017) Film Noir: A critical introduction. New York, London: Bloomsbury.

C

Chan, K. E. E. (2019) Hong Kong Dark Cinema. Film Noir, Re-conceptions, and Refexivity. Cham, Switzerland: Palgrave Macmillan.

Chopra-Gant, M. (2006) Hollywood Genres and Postwar America: Masculinity, Family and Nation in Popular Movies and Film Noir. London, New York: I. B. Tauris Publishers (Cinema and Society series).

Clute, S. S. and Edwards, R. L. (2011) The Maltese Touch of Evil : Film Noir and Potential Criticism. Hanover, New Hampshire: Dartmouth College Press – University Press of New England.

Coates, P. (2015) Doubling, Distance and Identification in the Cinema. Houndmills, Basingstoke, Hampshire, UK; New York: Palgrave Macmillan.

Cobley, P. (2000) The American Thriller: Generic Innovation and Social Change in the 1970s. Houndmills, Basingstoke, Hampshire (UK), New York: Palgrave Macmillan.

Cochran, David (2000) America Noir. Underground Writers and Filmmakers of Postwar Era. Washington and London: Smithsonian Institution Press.

Collins, M. A. (2002) A Century of Noir. New York: The New American Library Publishing Group – The Penguin Putnam Inc.

Comas, Ángel. (2005) De Hitchcock a Tarantino: Enciclopedia del ‘Neo Noir’ norteamericano. Madrid: T&B Editores.

Conard, M. T. et al. (2007) The Philosophy of Neo-Noir. Edited by M. T. Conard. Lexington, Kentucky: University Press of Kentucky.

Conard, Mark T. et al. (2006) The Philosophy of Film Noir. Edited by M. T. Conard. Lexington, Kentucky: University Press of Kentucky.

Copjec, J. et al. (1993) Shades of Noir: A Reader. Edited by J. Copjec. London, New York: Verso.

Crowther, B. (1988) Film Noir: Reflections in a Dark Mirror. London: Virgin Books.

D

Dawson, J. (2012) Los Angeles’s Bunker Hill: Pulp Fiction’s Mean Streets and Film Noir’s Ground Zero! Charleston, SC: The History Press.

Décharné, M. (2010) Hardboiled Hollywood. The True Crime Stories Behind The Classic Noir Films. New York: Pegasus Books LLC.

Denvir, J. et al. (1996) Legal Reelism. Movies as Legal Text. Edited by J. Denvir. Chicago: University of Illinois Press.

Deyo, N. (2020) Film Noir and the Possibilities of  Hollywood. Cham, Switzerland: Palgrave Macmillan.

Dickos, A. (2002) Street with No Name. A History of the Classic American Film Noir. Lexington, Kentucky: University Press of Kentucky.

Dimendberg, E. (2004) Film Noir and the Spaces of Modernity. Cambridge, Massachusetts, and London, England: Harvard University Press.

Dixon, W. W. (2009) Film Noir and the Cinema of Paranoia. Edinburgh: Edinburgh University Press.

Doherty, T. (2003) Cold War, cool medium: Television, McCarthyism, and American Culture. New York – Chichester, West Sussex: Columbia University Press.

Duncan, P. (2006) Film Noir. Films of Trust and Betrayal. Harpenden, Hert, UK: Pocket Essentials.

E

Engelstad, A. (2006) LOSING STREAK STORIES: MAPPING NORWEGIAN FILM NOIR. Department of Media & Communication, Faculty of Arts, University of Oslo.

Esquenazi, J.-P. (2012) Le film noir : Histoire et significations d’un genre populaire subversif. Paris: CNRS Éditions [.epub].

F

Fay, J. and Nieland, J. (2010) Film Noir: Hard-Boiled Modernity and the Cultures of Globalization. Abingdon, Oxon and New York: Routledge.

Flory, D. (2008) Philosophy, Black Film, Film Noir. University Park, PA: Pennsylvania State University Press.

Forshaw, B. (2013) Nordic Noir: The Pocket Essential Guide to Scandinavian Crime Fiction, Film and TV. Harpenden, Herts, United Kingdom: Oldcastle Books Ltd – Pocket Essentials.

Forshaw, B. (2014) Euro Noir: The Pocket Essential Guide to European Crime Fiction, Film and TV. Harpenden, Herts, United Kingdom: Oldcastle Books Ltd – Pocket Essentials.

Forshaw, B. (2016) Brit Noir: The Pocket Essential Guide to British Crime Fiction, Film & TV. Harpenden, Hert, UK: Pocket Essentials.

Forshaw, B. (2017) American Noir: The Pocket Essential Guide to US Crime Fiction, Film and TV. Harpenden, Herts, United Kingdom: Oldcastle Books Ltd – Pocket Essentials.

Forshaw, B. (2018) Historical Noir: The Pocket Essential Guide to Fiction, Film and TV. Harpenden, Herts, United Kingdom: Pocket Essentials.

Freeman, N. (2019) Film Noir Photography. Art and Techniques. Ramsbury, Marlborough, UK: The Crowood Press Ltd.

G

Gifford, B. (2001) Out of the Past: Adventures in Film Noir. Jackson, Miss.: University Press of Mississippi.

Grant, B.K. (ed.) (2007) Schirmer Encyclopedia of Film – Volume 1 – Academy Awards – Crime Films. Detroit, New York, London: Thomson – Gale.

Grant, J. (2006) Noir Movies. Facts, Figures & Fun. London: AAPPL Artists’ and Photographers’ Press Ltd.

Gregoriou, C. (2007) Deviance in Contemporary Crime Fiction. Houndmills, Basingstoke, Hampshire (UK), New York: Palgrave Macmillan.

Gregoriou, C. (2012) Constructing Crime: Discourse and Cultural Representations of Crime and ‘Deviance’. Houndmills, Basingstoke, Hampshire (UK), New York: Palgrave Macmillan.

Greven, D. (2011) Representations of Femininity in American Genre Cinema. The Woman’s Film, Film Noir, and Modern Horror. New York, London: Palgrave Macmillan.

Grossman, J. (2009) Rethinking the Femme Fatale in Film Noir. Ready for Her Close-Up. New York, London: Palgrave Macmillan.

H

Hannsberry, K. B. (2003) Bad Boys: The Actors of Film Noir. Jefferson, North Carolina, and London: McFarland & Company, Inc., Publishers.

Hannsberry, K.B. (1998) Femme Noir: Bad Girls of Film. North Carolina, USA: McFarland & Company, Inc., Publishers.

Hansen, K. T. and Waade, A. M. (2017) Locating Nordic Noir. From Beck to The Bridge. Cham, Switzerland: Palgrave Macmillan.

Hanson, H. (2007) Hollywood Heroines. Women in Film Noir and the Female Gothic Film. London, New York: I. B. Tauris Publishers.

Hanson, H. et al. (2010) The Femme Fatale: Images, Histories, Contexts. Edited by H. Hanson and C. O’Rawe. Basingstoke, Hampshire, UK; New York: Palgrave Macmillan.

Hanson, P. (2008) This Side of Despair. How the Movies and American Life Intersected during the Great Depression. Madison – Teaneck, NJ, US: Fairleigh Dickinson University Press – Rosemont Publishing & Printing Corp.

Hardy, P. (1997) The BFI Companion to Crime. Berkeley, Los Angeles: University of California Press – British Film Institute.

Hare, W. (2012) Pulp Fiction to Film Noir. The Great Depression and the Development of a Genre. Jefferson, North Carolina, and London: McFarland & Company, Inc., Publishers.

Hare, W. (2007) Hitchcock and the Methods of Suspense. Jefferson, North Carolina, and London: McFarland & Company, Inc., Publishers.

Heredero, C. F. and Santamarina, A. (1996) El cine negro. Maduración y crisis de la escritura clásica. 1^o edición. Barcelona, Buenos Aires: Ediciones Paidós Ibérica, S.A. , Editorial Paidós, SAICF.

Hirsch, F. (1999) Detours and Lost Highways. A Map of Neo-noir. New York: Limelight Editions.

Hirsch, F. (2001) The Dark Side of the Screen: Film Noir. New York: Da Capo Press – A.S. Barnes and Company.

Hogan, D. J. (2013) Film noir FAQ : all that’s left to know about Hollywood’s golden age of dames, detectives, and danger. Bluemound Road, Milwaukee, WI: Applause Theatre & Cinema Books.

Horsley, L. (2001) The Noir Thriller. Houndmills, Basingstoke, Hampshire, UK; New York: Palgrave Macmillan.

I

Irwin, J. T. (2006) Unless the Threat of Death Is Behind Them. Hard-Boiled Fiction and Film Noir. Baltimore, Maryland: The Johns Hopkins University Press.

K

Kaminsky, S. M. (1974) American Film Genres. Approaches to a Critical Theory of Popular Film. Pflaum Publishing.

Kaplan, E. A. et al. (1978) Women in Film Noir. Edited by E. A. Kaplan. London: Palgrave Macmillan – British Film Institute.

Karimi, A. M. (1976) Toward a Definition of the American Film Noir (1941-1949). New York: Arno Press – A New York Times Company.

Keaney, M. F. (2003) Film Noir Guide. 745 Films of the Classic Era, 1940–1959. Jefferson, North Carolina, and London: McFarland & Company, Inc., Publishers.

Keating, P. (2010) Hollywood Lighting from the Silent Era to Film Noir. New York: Columbia University Press. [formato epub]

Keating, P. (2010) Hollywood Lighting from the Silent Era to Film Noir. New York: Columbia University Press. [formato pdf]

Killeen, P. (2022) The Dark Interval: Film Noir, Iconography and Affect. New York, London, Dublin: Bloomsbury.

Koepnick, L. P. (2002) The Dark Mirror. German Cinema between Hitler and Hollywood. Berkeley and Los Angeles, California: University of California Press.

Kovacsics, V. (2022) 50 maneras de morir: Cine negro y poética de la fatalidad. Barcelona: Fundació per a la Universitat Oberta de Catalunya.

Krizan, K. (2011) Original Sins: Trade Secrets of the Femme Fatale. Los Angeles: Total Global Domination of the Whole World.

Krutnik, F. (1991) In a Lonely Street. Film Noir, Genre, Masculinity. London: Routlege.

L

Leitch, T. (2002) Crime Films. Cambridge, UK: Cambridge University Press.

Lentz, R. J. (2011) Gloria Grahame, Bad Girl of Film Noir. The Complete Career. Jefferson, North Carolina, and London: McFarland & Company, Inc., Publishers.

LIFE (ed.) (2015) Film Noir. 75 Years of the Greatest Crime Films. Life Editors.

Lindop, S. (2015) Postfeminism and the Fatale Figure in Neo- Noir Cinema. Houndmills, Basingstoke, Hampshire (UK), New York: Palgrave Macmillan.

Lingeman, R. R. (2012) The Noir Forties: The American People from Victory to Cold War. New York: Nation Books.

Luhr, W. (2012) Film Noir. Hoboken, NJ: Wiley-Blackwell.

M

Makinen, M. (2006) Agatha Christie: Investigating Femininity. Houndmills, Basingstoke, Hampshire (UK), New York: Palgrave Macmillan.

Maher, S. W. (2021) Film Noir and Los Angeles: Urban History and the Dark Imaginary. New York, London: Routledge.

Mainon, D. and Ursini, J. (2009) Femme Fatale: Cinema’s Most Unforgettable Lethal Ladies. Milwaukee, WI: Limelight Editions.

Marks, M. (2019) Behind the Cigarette Smoke: Hiding the Truth, Transmediality in Noir and Neo-noir Creations. UNIWERSYTET GDAŃSKI.

Martin, R. (1997) Mean Streets and Raging Bulls. The Legacy ofFilm Noir in Contemporary American Cinema. Lanham, Md., and London: The Scarecrow Press, Inc.

Mason, F. (2002) American Gangster Cinema: From Little Caesar to Pulp Fiction. Houndmills, Basingstoke, Hampshire (UK), New York: Palgrave Macmillan.

Mason, F. (2012) Hollywood’s Detectives Crime Series in the 1930s and 1940s from the Whodunnit to Hard-boiled Noir. Houndmills, Basingstoke, Hampshire (UK), New York: Palgrave Macmillan.

Mayer, G. (2012) Historical Dictionary of Crime Films. Lanham, Toronto, Plymouth, UK: The Scarecrow Press, Inc.

Mayer, G. and McDonnell, B. (2007) Encyclopedia of Film Noir. Westport, CT: Greenwood Press.

McClenaghan, K. (2017) A Genealogy of Feminist Tech-Noir. New York University.

Meehan, P. (2011) Horror Noir: Where Cinema’s Dark Sisters Meet. Jefferson, North Carolina, and London: McFarland & Company, Inc., Publishers.

Meuel, D. (2015) The Noir Western. Darkness on the Range, 1943–1962. Jefferson, North Carolina: McFarland & Company, Inc., Publishers.

Miklitsch, R. et al. (2014) Kiss the Blood Off My Hands. On Classic Film Noir. Edited by R. Miklitsch. Urbana, Chicago, and Springfield: University of Illinois Press.

Miklitsch, R. (2017) The Red and the Black : American Film Noir in the 1950s. Urbana, Chicago, and Springfield: University of Illinois Press. [en formato epub]

Muller, E. (1998) Dark City. The Lost World of Film Noir. London: Titan Books. [en formato pdf]

Muller, E. (1998) Dark City. The Lost World of Film Noir. London: Titan Books. [en formato epub]

Muller, E. (2001) Dark City Dames: The Wicked Women of Film Noir. New York: ReganBooks – HarperCollins Publishers Inc.

Muller, E. (2021) Dark City The Lost World of Film Noir -Revised and Expanded Edition – 2021. New York: Running Press – Hachette Book Group.

N

Nagl, L. and Zacharasiewicz, W. (eds) (2016) Ein Filmphilosophie-Symposium mit Robert B. Pippin: Western, Film Noir und das Kino der Brüder Dardenne. Berlin, Boston: Walter de Gruyter GmbH. [formato pdf]

Nagl, L. and Zacharasiewicz, W. (eds) (2016) Ein Filmphilosophie-Symposium mit Robert B. Pippin: Western, Film Noir und das Kino der Brüder Dardenne. Berlin, Boston: Walter de Gruyter GmbH. [formato epub]

Naremore, J. (2019) Film Noir: A Very Short Introduction. New York: Oxford University Press.

Naremore, J. (2008) More than Night : Film Noir in its Contexts [Updated and Expanded. First Edition: 1998]. Berkeley, Los Angeles, London: University of California Press.

Neve, B. (2015) The Many Lives of Cy Endfield: Film Noir, the Blacklist, and Zulu. Madison, Wisconsin: The University of Wisconsin Press. [en formato pdf]

Neve, B. (2015) The Many Lives of Cy Endfield: Film Noir, the Blacklist, and Zulu. Madison, Wisconsin: The University of Wisconsin Press. [en formato epub]

O

Oliver, K. and Trigo, B. (2003) Noir Anxiety. Minneapolis, London: University of Minnesota Press.

Osteen, M. (2013) Nightmare Alley – Film Noir And The American Dream. Baltimore, Maryland: The Johns Hopkins University Press. [en formato epub]

Osteen, M. (2013) Nightmare Alley – Film Noir And The American Dream. Baltimore, Maryland: The Johns Hopkins University Press. [en formato mobi]

P

Palmer, R. B. (1994) Hollywood’s Dark Cinema: The American Film Noir. New York: Twayne Publishers.

Park, W. (2011) What Is Film Noir? Lanham, Maryland: Bucknell University Press – The Rowman & Littlefield Publishing Group, Inc.

Parker, J.E. (s/d) Rod Serling’s ‘The Twilight Zone’: A critical examination of religious and moralistic themes and motifs presented in the film noir style.

Peach, L. (2006) Masquerade, Crime and Fiction: Criminal Deceptions. Houndmills, Basingstoke, Hampshire (UK), New York: Palgrave Macmillan.

Pells, R. (2011) Modernist America : art, music, movies, and the globalization of American culture. New Haven and London: Yale University Press.

Penzler, O. (2000) 101 Greatest Films of Mystery & Suspense. New York: Ibooks.

Piotrowska, A. (2019) The Nasty Woman and The Neo Femme Fatale in Contemporary Cinema. Oxon (UK), New York (USA): Routledge.

Porfirio, R.G. (1979) The Dark Age Of American Film – Study Of The American Film Noir (1940-1960). Yale University Press.

Phillips, G. D. (2000) Creatures of Darkness : Raymond Chandler, Detective Fiction, and Film Noir. Lexington, Kentucky: The University Press of Kentucky.

Phillips, G. D. (2012) Out of the Shadows: Expanding the Canon of Classic Film Noir. Lanham, Toronto, Plymouth, UK: The Scarecrow Press, Inc.

Pippin, R. B. (2012) Fatalism in American Film Noir: Some Cinematic Philosophy. Charlotteville, London: University of Virginia Press.

Pippin, R. B. (2017) The Philosophical Hitchcock : Vertigo and the Anxieties of Unknowingness. Chicago, London: The University of Chicago Press.

Prakash, G. (2010) Noir Urbanisms: Dystopic Images of the Modern Global City. Princeton and Oxford: Princeton University Press.

Pratt, R. (2001) Projecting Paranoia: Conspiratorial Visions in American Film. University Press of Kansas.

Prince, S. (2003) Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema, 1930–1968. New Brunswick, New Jersey, and London: Rutgers University Press.

R

Rabinowitz, P. (2002) Black & White & Noir: America’s Pulp Modernism. New York – Chichester, West Sussex: Columbia University Press.

Rafter, N. (2000) Shots in the Mirror: Crime Films and Society. Oxford, New York: Oxford University Press.

Renzi, T.C. (2006) Cornell Woolrich: from Pulp Noir to Film Noir. Jefferson, North Carolina, and London: McFarland & Company, Inc., Publishers.

Renzi, T.C. (2012) Screwball Comedy and Film Noir: Unexpected Connections. Jefferson, North Carolina, and London: McFarland & Company, Inc., Publishers.

Rode, A. K. (2008) Charles McGraw. Biography of a Film Noir Tough Guy. Jefferson, North Carolina, and London: McFarland & Company, Inc., Publishers.

Rolls, A. and Walker, D. (2009) French and American Noir: Dark Crossings. Basingstoke, Hampshire, UK; New York: Palgrave Macmillan.

Rowland, S. (2001) From Agatha Christie to Ruth Rendell: British Women Writers in Detective and Crime Fiction. Houndmills, Basingstoke, Hampshire (UK), New York: Palgrave Macmillan.

Rubin, M. (1999) Thrillers. Cambridge, UK: Cambridge University Press.

S

Sanders, S.M. and Skoble, A.J. (2008) The Philosophy of TV Noir. Edited by S.M. Sanders and A.J. Skoble. Lexington, Kentucky: The University Press of Kentucky.

Santamarina, A. (1999) El cine negro en 100 películas. Madrid: Alianza Editorial.

Sarris, A. (1998) You Ain’t Heard Nothin’ Yet: The American Talking Film – History & Memory 1927-1949. New York, Oxford: Oxford University Press.

Schikel, R. (1992) Double Indemnity. London: BFI Publishing.

Schwartz, R. (2001) Noir, Now and Then: Film Noir Originals and Remakes (1944–1999). Westport, CT – London: Greenwood Press.

Schwartz, R. (2014) Houses of Noir: Dark Visions from Thirteen Film Studios. Jefferson, North Carolina, and London: McFarland & Company, Inc., Publishers.

Selby, S. (1984) Dark City: The Film Noir. Jefferson, North Carolina, and London: McFarland & Company, Inc., Publishers.

Silver, A. and Ursini, J. (1996) Film Noir Reader. Pompton Plains, New Jersey: Limelight Editions.

Simkin, S. (2014) Cultural Constructions of the Femme Fatale: From Pandora’s Box to Amanda Knox. Basingstoke, Hampshire, UK; New York: Palgrave Macmillan.

Short, S. (2019) Darkness Calls: A Critical Investigation of Neo-Noir. Cham, Switzerland: Palgrave Macmillan.

Silver, A. and Ursini, J. (2005) L.A. Noir : The City as Character. Santa Monica, CA: Santa Monica Press LLC.

Silver, A. and Ward, E. (1992) Film Noir: An Encyclopedic Reference to the American Style. Revised & Expanded Edition. Third Edition (1992). First published in 1979. Woodstock, New York: The Overlook Press.

Slocum, J. D. (2001) Violence and American Cinema. New York, London: Routledge.

Smith, I. S. (2011) In Lonely Places: Film Noir Beyond the City. Jefferson, North Carolina, and London: McFarland & Company, Inc., Publishers.

Spicer, A. (2010) Historical Dictionary of Film Noir. Lanham, Toronto, Plymouth, UK: The Scarecrow Press, Inc.

Spicer, A. and Hanson, H. (2013) A Companion to Film Noir. Malden, MA – Chichester, West Sussex, UK: Wiley-Blackwell.

Stanfield, P. (2011) Maximum Movies Pulp Fictions: Film Culture and the Worlds of Samuel Fuller, Mickey Spillane, and Jim Thompson. New Brunswick, New Jersey, and London: Rutgers University Press.

T

Thomson, D. (1986) Suspect. New York: Vintage Book – A Division of Random House.

Truhler, K. (2020) Film Noir Style: The Killers 1940s. Pittsburgh, Pennsylvania: GoodKnight Books.

Tuska, J. (1984) Dark Cinema: American Film Noir in Cultural Perspective. Westport, CT – London: Greenwood Press.

Tyrer, B. (2016) Out of the Past: Lacan and Film Noir. Switzerland: Palgrave Macmillan.

V

Vieira, M. A. (2016) Into the Dark: The Hidden World of Film Noir 1941-1950. Philadelphia, PA: Running Press – Perseus Books Group.

Vighi, F. (2012) Critical Theory and Film: Rethinking ideology through film noir. New York, London: Continuum International Publishing Group.

W

Wager, J. B. (2005) Dames in the Driver’s Seat : Rereading Film Noir. Austin, Texas: University of Texas Press.

Walker-Morrison, D. (2019) Classic French Noir: Gender and the Cinema of Fatal Desire. London, New York: I.B.Tauris & Co. Ltd.

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